Archive for November, 2016

BSB Author Interview with Cameron MacElvee

by Connie Ward


What made you decide to become a fiction writer?

I’d tried to write fiction in my twenties while enrolled in undergraduate creative-writing courses, but my classmates and teachers told me in so many words my writing wasn’t any good. So I gave up and focused on my college studies and allowed that part of me to be forgotten. Twenty-some years later, I began fooling around with my daydreams and personal fantasies (and sometimes my nightmares) and writing them out for my own enjoyment. I started wondering if anyone else might like them, and on the advice of a friend, I revised my personal stories into fan fiction and began submitting them online. When I started hearing from readers that they enjoyed them, I decided I’d see if I could get one of my stories published. And now, here I am with my first published novel, something I’m proud of. And to be honest, when I signed with Bold Strokes, I felt a bit vindicated from those disparaging remarks I’d received when I was younger.

What type of stories do you write?  And why?

Every story I’ve written, including By the Dark of Her Eyes, focuses on the themes of personal growth and healing as well as overcoming the demons of mental illness, addiction, guilt, and shame. I also incorporate the paranormal, even subtly, in every one. For me the paranormal doesn’t necessarily mean ghosts. It can mean any level of spirituality as well as those things that are not easily explained. My grandmother grew up on the Cherokee Reservation in Oklahoma, and she came from a great tradition of storytellers. She enjoyed entertaining me and my sister with spooky stories, and those were the ones I remember best of all. She firmly believed in the supernatural, so I think I’ve inherited that trait from her. And, just as her stories were a gift to me, I think of mine as little gifts for my readers with the hope my message and themes about compassion and courage will comfort and encourage them to never give up, never give in.

What do your family/friends think about your writing?

I don’t think they thought much of it at first. In fact, I’m certain they thought it was a phase, maybe something like a midlife crisis without the red sports car and mistress. Actually, my partner was probably thankful I focused my free time on writing and not on some other nefarious activity. However, once I shared the news that my first novel had been accepted for publication, my colleagues, friends, and family were super-excited and proud of me for sticking with it and not giving up like I had when I was younger. I can’t help but feel my grandmother is proud of me, too.

Where do you get your ideas?

Mostly from paying attention to life. Actually, I read a lot of nonfiction as well as fiction, and I also watch a lot of documentaries and movies. Sometimes I happen across an idea or concept or dynamic between people that captivates me, and it starts me asking “what if” questions like how a story might change or events transform if the main characters were female or if the love interest were between women. I don’t keep an idea file per se, but I do store lots of bits and pieces away in my mind. I’m not sure when or how these ideas actually take root and lead me toward a story. My muse is mysterious and a wee fickle; she’ll ignore me for weeks or months before she decides to have a chat. But when she does want to talk, she demands my attention. I’ve learned it’s best to listen and take notes.

How do you write; do you plan everything out or just write?

I’m a huge planner. A germ of an idea will lurk around in my mind for ages before inspiration strikes and that idea begins to coalesce into a theme. From there I daydream and fantasize about some situation that would allow that theme to be realized. This process can take weeks or months and involves me playing out a movie in my head, particularly at night while I’m trying to get to sleep. I play the movie over and over, rewinding and editing, working out the characters, plot, setting, and point of view as I go. Once I have a good understanding of how I want the story to end, I write a draft of the last chapter. From there, I make a bulleted outline by working backward from the end to the beginning. Once I have this outline, I spend some time doing research and gathering facts. Then I set myself a schedule and start at the beginning of the outline with chapter one and usually write one chapter a week. That’s how I get a first draft written. The very first rough draft of By the Dark of Her Eyes took me about fourteen weeks to write. However, the process of imagining the movie in my head took much longer.

By the Dark of her EyesWhat makes By the Dark of Her Eyes special to you?

I began germinating the idea for this story over ten years ago, but when I learned my niece had been diagnosed with breast cancer, the idea took hold of me and I pursued it earnestly. As a mother myself, I didn’t know how my sister was going to face losing her daughter, who, even though an adult, was still her baby girl. My sister’s grief nearly consumed her, and I remember thinking that losing a child had to be the worst pain anyone could face no matter the age of the child. I wrote the initial draft of the novel not long after my niece passed in 2012. Then a month after completing the story, the massacre at Sandy Hook Elementary occurred. I was at work when I saw the news feed, and even though I was on the other side of the country from where the shooting had taken place, I left right then to drive to my daughter’s school. I had to see her, to hold her, and know she was safe. When I arrived at her school, I found mothers and fathers who, like me, had left work early to get to their children. We were all shaken by the news, all struck by the utter horror of the act. I couldn’t stop thinking about the parents of those murdered children. I couldn’t stop putting myself in their shoes. How does a mother come back from that? How can she not help but replay the last morning she kissed her little boy or little girl, packed their lunch, hugged them, told them she loved them? From this nightmare, I shaped and forged the revision of my story that became By the Dark of Her Eyes. This is why the story is special to me. I wanted to pay tribute to my sister, to all the mothers of Sandy Hook, and to anyone who’s lost someone precious and managed to find the strength to live another day.

How much of yourself and the people you know are in your characters?

There are essences of real people in my characters. Sometimes from myself, from someone I’m close with, or from a mere acquaintance. Sometimes I anchor a character in an archetype from myth or memory. But I wouldn’t say any of my characters are solely based on me or anyone I know personally.

Which gay/lesbian authors inspired you the most?  Do you have a favorite of this author(s)?

Hands down, Cate Culpepper. River Walker is my favorite, the top of my list, and all her other titles are on that list as well. In some ways, I think of my first novel as an homage to her and her storytelling. I’m sad I never got to meet her in person and to thank her for her stories. She was a remarkable writer, and every one of her books a gift.

Do you have any suggestions for new writers?

Read. Never go a day without reading. The link between reading and writing is momentous and is something I’ve experienced firsthand. When I was in the sixth grade, my teachers discovered I couldn’t read. It impacted me in many ways, one of which was that I wasn’t able to write. Even after remedial instruction, I still couldn’t read at grade level. When I went to college (something I wasn’t expected to do or encouraged to do), I started at a community college and found my poor reading ability was a huge disadvantage when it came to written assignments. However, I was fortunate enough to have a professor pinpoint my problem. He taught me how to read a text critically as well as for enjoyment and gave me a list of classics and told me to start reading. I still have that list, haven’t finished reading from it, but I discovered the more I read, the better reader I became. The better reader I became, the better writer I became, at least for college and academic work. However, I think because I’ve read so many imaginative works from all different eras and genres that I’ve become better at writing fiction as well. I would add, it’s important to take time to read poetry occasionally. Language is beautiful as well as functional. Appreciating its sound, its rhythm and cadence, its lyricism and figurative expressions can positively impact one’s style of writing.

When you’re not writing what do you do for fun?

As I’ve said, I read a lot, all the time. I usually have three or four books (nonfiction and fiction) going at once, as well at one or two audio books for the treadmill and my drive to work. I also watch tons of movies. I’m the cliché of a Netflix addict and binge quite often. I also enjoy live performances and museums and consider myself a bit of a “foody” who likes to try new restaurants and attend food festivals. But mostly I spend my free time with my partner and our daughter and our dogs. We’re a foster family with a local animal-rescue group, and we work at training our foster dogs and getting them ready for their forever homes.

Name That Tune


By Yolanda Wallace


I’ve always heard that life comes with a soundtrack, but I’m beginning to realize books do, too.

I don’t listen to music when I write. If the sun’s up, I’m serenaded by the sound of my dogs chasing each other around the house and the cat yowling for yet another snack (yes, she’s spoiled, but we love her). Once night falls, I have the TV on, but I usually leave the sound off so I can listen to Dita and the kids snoring while I type. I mean, so I can concentrate on crafting witty dialogue and a plausible plot. Yeah, that. Love you, honey.

Ahem. What was I saying?

Ah, yes. Music.

I have a full-time job so any writing I do during the week is done at night. During the day, I play tunes on my iPod while I’m sitting at my desk in my office. Just because I’m not writing during that time doesn’t mean I’m not communicating with my characters, however. Or, perhaps it would be more accurate to say I’m channeling them. I say that because my favorite songs tend to change depending on the book I’m writing at the moment.

Love's Bounty 300 DPIWhen I was writing Love’s Bounty, I think I listened to Gordon Lightfoot’s “Wreck of the Edmund Fitzgerald” every day for two months to help me stay in the mindset of my main characters, a lobster boat captain and the greenhorn she hires for the season. Now I can’t hear the song without thinking about Jake and Shy checking their traps off the coast of Maine while their friends and family anxiously await their safe return.

When I was writing The War Within, which is partially set during the Vietnam War, I turned to songs and artists that were popular during the late ‘60s and early ‘70s. As a result, I had the Rolling Stones, Jefferson Airplane, and Creedence Clearwater Revival in heavy rotation. Every time I hear the Stones’ “Gimme Shelter,” I picture Army nurses Meredith and Natalie dodging bullets while they try to patch up wounded soldiers.The War Within 300 DPI

Which brings me to my latest release.

Written under my Mason Dixon pen name, 21 Questions is set in Miami. I’ve always wanted to visit uber-hip South Beach, but I’ve only gotten close enough to wave at it as Dita and I skirted the heavier traffic on I-95 as we made our way to Key West. When I came up with the idea for the book, I did tons of research to get a feel for the area, but that wasn’t enough to help me capture the characters. Naturally, I turned to music to help me solve the dilemma.

21 Questions 300 DPICreating co-protagonist Kenya Davis was easy. I pictured her as a smooth, polished corporate professional with a hankering for old-fashioneds and classic soul. So I turned to my trusty iPod, found the Motown box set and allowed myself to be serenaded by Diana Ross and the Supremes, Marvin Gaye, Smokey Robinson, the Temptations, and the like. The Supremes’ “You Can’t Hurry Love” became Kenya’s theme song. In more ways than one.

Simone, the other main character in 21 Questions, was harder to pin down. I knew I wanted her to be younger—she’s 28 and Kenya’s 36—and I knew I wanted her to be a bartender because it’s such a sexy profession (duh), but that wasn’t enough to turn her from a character into a person. Once I decided to make give her Jamaican roots, everything started to come together. Bartending is what she does, but it isn’t who she is. She has dreams of becoming a music producer but doesn’t know how to make those dreams come true—or how to convince Kenya that she’s a better catch than her multimillionaire boss. To capture Simone’s energy, I turned to the reggae and Caribbean music on my iPod and put them on repeat. In fact, I played Rihanna’s songs so much I ended up writing one of them into a scene. “Don’t Stop the Music,” indeed.

I am currently working on Tailor Made, a New York-set love story featuring a woman who makes custom suits and a female bicycle messenger who moonlights as a male model. You know that means, don’t you? Yep, you guessed it. It’s time to break out the iPod.

BSB Interview with Robyn Nyx

by Connie Ward


What made you decide to become a fiction writer?

Ah, if only there were a lightbulb moment to tell you about! I’m afraid there was no conscious decision. I’ve just been writing almost as long as I’ve been speaking. It’s simply something I have to do, like breathing or hitting the gym. The stories and characters are in my head, and if I don’t get them out, I run the risk of being sectioned with a severe case of dissociative identity disorder! I’ve got great memories of my best buddy, Jules, and me spending many an uninteresting Geography class co-writing stories and passing unfinished sentences back and forth, trying to avoid the watchful gaze of the malodorous Mr. Brunt. It’s always felt like such a natural thing to do, but then we’re all storytellers in our own right. Some of us just get lucky and manage to be published.


What type of stories do you write?  And why?

I write fast-paced stories with characters that I hope the reader wants to get to know. I like to mix character and plot-driven tales because that’s what comes naturally to me. I want the reader to be not only invested in the story but also very much in the people who are taking part in that story. I love writing strong female characters with flaws and women who are so much better than they ever think they are, but finally realize that by the end of the novel. I guess that comes from my belief in the inherent value of all humans: so many people weren’t lucky enough to have the love and nurture I had as a child, which empowered me to believe I could become whatever the hell I wanted. Instead, they’ve been down-trodden, abused, belittled, and made to believe that they’re nothing. That inflames my anger, and it’s probably why I’ve worked in the volunteer sector all my life. I enjoy helping people realize and fulfill their potential. So I love that I now get to put lesbians into any occupation I want to—marine, journalist, dragon, detective—and that I can put them through whatever fantastical situations I fancy, but they still get the girl and most importantly, Don’t F***ing Die! It’s a privilege to write fiction for our community, and it’s vitally important for lesbians, young and old, to have it available. Positive role models saving the girl and/or the world. It doesn’t get any better than that.


What do your family/friends think about your writing?

I’m very lucky in that everyone around me has always been supportive of my writing. My parents have always encouraged me to chase my dreams, whatever they were, and that’s never changed. My lady love has been instrumental in making this particular dream my reality, and I couldn’t have done it without her. My best buddy, Jules, loves it too and always believed I’d get there someday. Again, I’m fortunate to be surrounded by loving, positive, supportive, and accepting people, whereas other writers might have to remain anonymous for fear of the reactions of those close to them.


Never EnoughWhere do you get your ideas?

I really had to work on the storyline for Never Enough because it was a rebuild from another manuscript (see later), so I wracked my brains for the human-trafficking plot to make it believable for Elodie, our heroine and movie star, to be involved. But the whole plot, characters, and story arc for The Extractor series came to me when I woke up one morning. Sometimes the idea for a novel will come from a short story I’ve penned. I’ve got a dragons-and-goddesses novel that’s currently vying for attention with a love-across-the-ages novel, even though I’m only 10,000 words into Change in Time, book two of the Extractor series. It’s like the London underground in my head—it’s little wonder that I often forget to lock the windows and doors of our house when we leave!


How do you write; do you plan everything out or just write?

As much as possible, I sit down every night to write for a few hours. Sometimes I get more words down than others, but on less productive nights, I still persevere. I’m working on a trilogy right now, so I have to do a certain amount of planning: I needed an overarching story arc for the series and individual arcs for each novel. With Never Enough, I did less planning. I had it in my head what was going to happen (mostly), and how, but I still had many moments whilst typing, and I’d go “You didn’t just say/do that!” It’s amazing how you can surprise yourself even though the dialogue and action are coming from your own head. I love that about writing. I love how your brain can pull a fast one and keep you guessing.


What makes Never Enough special to you?

The obvious answer to that is that it’s the first novel I’ve managed to get published. It was hard work. I’d written a novel that I submitted to Bold Strokes in 2014—it had around ten main characters, around twenty plots and sub-plots, and I’d written it Dickensesque style with an omniscient narrator who liked to head-hop! Little did I know how wrong I was to do so. I was “gently encouraged” to knock down the house and build a new one with just a couple of those characters. One of the great things that came out of that process was Therese Hunt. In the original manuscript, she was the sadistic sidekick to a male drug lord, but she became so much more in Never Enough. I loved watching her develop on the screen through my fingertips, and the feminist in me was ecstatic to find her emerging from beneath a dominant male and be “top dog,” even though she is quite the horrific creation. But I think it’s important to show the darker, shadow side of the female psyche. I was concerned that Therese might be too much for Bold Strokes as one of the main points of view, but I was so glad when, not only did she get left alone, but they wanted to see more of her in the book! That gave me the opportunity to sit back down and explore her further after my final draft. It also drove home the fact that I’d chosen the right publisher for my work: one that would allow me to really write what I wanted to.


How much of yourself and the people you know are in your characters?

The answer to this could be quite scary, particularly with characters like Therese and Nat in Never Enough! I think my voice comes out in the dialogue I write, but I don’t consciously write myself into my characters. I love watching people, observing their tics and habits, and listening to the many different ways people speak. It’s fascinating, and I sometimes note down things of interest that I might be able to use in characters further down the line. Mostly though, the characters come to me fully formed, having resided with my Id for a while! I might have to add backstory and the odd habit, but I already know who they are, how they navigate their lives, and what they’re doing in my head. Like anyone my age, I’ve met a lot of people, and I expect that I’ve absorbed my experience of them for later use. In Never Enough, I have put one real-life person in, a bit of a cameo if you will. It was a thank you for being the first person to believe in my writing from a commercial perspective and publish my words. It’s probably impossible not to write the people you know, but I tend to add aspects of different characters, rather than the whole kit and caboodle of anyone I know. More often than not, I might use an experience or a journey and then retell it through different characters.


Which gay/lesbian authors inspired you the most?  Do you have a favorite of this author(s)?

I love to read all sorts of genres and authors, and so many authors over the centuries continue to inspire me. I loved the Tales of the City series by Armistead Maupin, and it was one of the main reasons for my first visit to San Francisco. I love authors who have the ability to transport me immediately into their worlds. I enjoyed Tipping the Velvet by Sarah Waters. It was marvelous to see a lesbian author gain such recognition and have her work adapted for TV. It’s a concern that her follow-up projects weren’t as popular, which maybe points to the titillation factors of TTV for a straight male audience. Still, it probably entertained an awful lot of lesbians too!

I will say that my favorite lesbian author is Brey Willows. Her first novel is out in March 2017 (Fury’s Bridge), and it’s a fantastic read: lots of humor, sharp dialogue, and a truly intriguing premise. And I’m not being biased just because Brey happens to be my fiancé!


Do you have any suggestions for new writers?

Wow, where to start, and how long have I got? I had a fabulous English teacher at secondary school called Jack Crawford, and we’d have wonderful conversations about writing, authors, and the creative process. We had a particular lively debate about inspiration versus perspiration: I was convinced that anything worthwhile could only be written when I was inspired, whereas Mr. Crawford believed in sitting down and making it happen. We agreed to disagree, but I’d love to track him down, give him a copy of this book, and say “Bugger me, you were right!” That was a long-winded way of saying, “Sit your ass in the chair, and write.” Make time, because it won’t happen any other way than commitment, tears, and bloody fingers.

I’d also say, attend some writing classes. Discover the basics of point of view, deep third person, dialogue tags, and disembodied action. It’ll save you a whole heap of work in the editing process if you’re lucky enough that someone can see the value of your writing even if you’re not doing it quite right! I was co-delivering a writing retreat this month, and every single one of the writers (aside from the BSB insider!) was writing in first-person, present tense, and head-hopping the hell out of their characters. But they were great writers. The inspiration, creativity, and talent were there, but they were just lacking the right tools. Find out what they are and use them!

Make your manuscript the very best it can be. Edit, edit, and edit again. Maybe pay someone to do that for you. Don’t ever send off your first draft, replete with spelling mistakes and bad grammar!

Build your emotional resilience and don’t be precious about your words. Plenty of people know far more than you know about writing, editing, and publishing. Listen, and don’t be offended. You’ll learn how to improve your writing and your story-telling capabilities if you’re flexible and open. I hear Radclyffe still attends writing classes even with the considerable library of books she’s written. Writing is no different than life—you never stop learning, and you’re never the finished article. Strive to improve, and don’t ever rock back on your ass, thinking you’ve made it and that you can stop trying.

I guess my final suggestion would be, stay positive and persevere. Agatha Christie was rejected for five years, but her book sales are now worth over two billion dollars; twenty-eight agents passed on A Time Traveler’s Wife before a small publisher believed in Audrey Niffenegger (great name, by the way), which now has sales of over seven million and was adapted for the silver screen; and Margaret Mitchell received thirty-eight rejections before Gone with the Wind was finally accepted for publication. Stick it out, because if you give up, you’ll never know what might’ve happened.


When you’re not writing what do you do for fun?

Tee hee…the clean version? I’ve got a super-busy work life, being a chief executive of a charity in addition to running a community-interest company with Brey. But when I do have non-writing time, I love to ride my motorbike, go for walks near water or in the countryside, or watch movies. I go to the gym regularly—it’s my safe place, where I can just concentrate on the physicality of working out. If I’m ever in turmoil or upset in any way, an hour in the gym pushes it all out of my body and mind.

The Chrysalis Confabulation – From Writer to Author

By Robyn Nyx

I write. Not because I want people to read my words (although that is a very lovely consequence of being published by the biggest and best LGBT publishing house in the world), but because I love doing it. There are characters and settings, and experiences and dialogue bouncing around my head on a minute-to-minute basis, and it’s amazing. I love developing heroines and villains, writing dialogue that somehow manages to surprise myself, and unlike several of my author buddies, I do love to write sex.


Never EnoughBut I don’t think I really realized just how amazing it was until I received my first book contract (for Never Enough, now available direct from Bold Strokes Books). Even then, I didn’t fully appreciate the privilege, not only to have company in my cerebrum, but to have the opportunity to share my words with the world.


That’s what part of this blog’s about. The gamut of emotions an author goes through when they’re first published. There’s disbelief when you read the email offering you a contract for your pretty paper baby. Then comes elation, because someone actually believes you’re talented enough for them to invest $10,000 to edit, produce, and market your manuscript. A few short months later, there’s pain.


Oh, so much pain.


(I love you, VV, and I smiley-face you, CC).


And sometimes, petulance and toy-throwing ensues. But once that subsides (duration dependant on author-stubbornness), resignation and determination set in. Relief is quick to follow when your final draft is offered, along with the requisite sacrificial Trump supporter, to your editor. As the release date creeps ever closer, there’s trepidation and excitement.


And then – absolute panic. I’ve spoken to many authors who say they write because they have to, and they write for themselves, so what does it matter what others have to say? But when the realization actually hits that your carefully crafted collection of characters will be read wider than your circle of friends and family, is it not human nature to want to locate the nearest underground bunker and not surface until the Walking Dead apocalypse has finally struck?


No? Perhaps it’s just me then. And I’ve been warned not to read reviews. That’s like telling me not to put something in my mouth because it tastes bad. It may well taste like the sweaty underpants of Boris Johnson, but I have to find out for myself. Which brings me to my first review, in the mainstream Publishers Weekly. All in all, it was a pretty good review. So my question is, do I stop there? Or do I seek out the words of anyone and everyone who has something to say about my writing? Do I have the self-discipline not to? Because I’ve certainly not got the thick hide to cope with an assortment of acid-tongued attacks. Should I care? You’ve spent your hard earned mullah on my book, so I want you to have a great time reading it. And I want to be the best author I can be, and that can only happen by listening to constructive feedback and learning from it. Over the coming months, and hopefully years (with The Extractor Trilogy beginning with Escape in Time, April 2017), I guess we’ll see.Escape In Time 300 DPI


So, thank you for reading this and for reading any of my words, whether you like or loathe them, whether they scare or seduce you, whether they repulse or romance you. If you want more of them, head over to my website now and make contact. I’d love to hear from you.


by Connie Ward


What made you decide to become a fiction writer?


I’ve been a voracious reader since childhood, and doesn’t every kid who likes to read want to be a writer? I became a literature professor, so books are a major part of both my professional and personal life. My PhD studies and early academic career put my creative writing on hold for about a decade, and now that I’m back to writing fiction, I’m thrilled to be doing it again.




What type of stories do you write?  And why?


I’ve published romance, primarily, but I also love mystery, horror, and science fiction, so I might explore these genres down the road. I love to read all of them, so it makes sense to try writing them.




What do your family/friends think about your writing?


They’re as thrilled as I am and, in some cases, if possible, more. I have a very strong support system, and I think my happiness means a lot to them.



Where do you get your ideas?


A Palette for LoveA Palette for Love is very, very vaguely based on Fifty Shades of Grey and came from a conversation with my wife after we both read E.L. James’s series. We asked each other what a lesbian Fifty Shades would look like. That question was the catalyst for the book and the sequel, Canvas for Love, though again, to even say that these books are “inspired by” the Grey series is probably a stretch.


My next novel, Love in Disaster, takes place during Hurricane Katrina, an event I lived through. At the time, it was, of course, an awful experience for those of us in the areas Katrina affected, but I remember wondering what was happening to the tourists that couldn’t get out of there on time. I took that kernel of an idea and wrote a novel about it.



How do you write; do you plan everything out or just write?


Recently, I’ve had to work a little more with a plan because I’ve been writing a sequel, and the sequel needed to tie up a lot of loose ends in the first book. Usually, however, I’m a fly-by-the-seat-of-your-pants kinda woman. I tend start with one small idea and expand from that.Love in Disaster_final


What makes A Palette for Love special to you?


The idea that people will read something I’ve read and be entertained and possibly moved is a genuinely incredible feeling. Having my fiction published also fulfills a major bucket-list category, so that’s one more check mark.



How much of yourself and the people you know are in your characters?


I would say very little, except I’m sure that’s probably not true. I tend to have academic main characters, since that’s the world I live and work in, and some of their experiences are based on my own or those of the academics I know.



Which gay/lesbian authors inspired you the most?  Do you have a favorite

of this author(s)?


Asking a book-nut to name some favorite authors is like asking me to name my favorite heartbeat: I like them all and couldn’t do without any of them. That said, Radclyffe, Georgia Beers, and Emma Donoghue have certainly written some of my favorite contemporary lesbian novels.


I also study early twentieth-century literature and have read some great lesbian fiction from the twenties and thirties by authors like Virginia Woolf, Molly Keane, Radclyffe Hall, and Gale Wilhelm.



Do you have any suggestions for new writers?


I tell my current students and used to tell my less-senior graduate students (when I was a graduate student) that half the battle is simply sitting down and writing almost every day. Half an hour a day, or an hour every other day—whatever—that’s how books, dissertations, and essays are written. Prioritize writing like you do anything else (taking a shower, going to the gym, watching MacGyver reruns), and you’ll find that it becomes a habit quickly.


Once you’ve won that battle and you’re actually sitting down most days of the week to write, don’t get hung up on outcome—just write whatever comes out of you. You can worry later about editing, about plot holes, about “audience,” and about everything else, but don’t let all of that get in the way on a first draft.


Just sit to write and you’re already a writer.



When you’re not writing what do you do for fun?


I play and coach a local roller-derby team and like brewing hard cider. I also play a lot of computer games and tabletop games with some other nerds like me.

Smothered and Covered


By Missouri Vaun


The first installment in the Adventures of Nash Wiley comes out this month, titled “Death by Cocktail Straw.” There are those (who will remain nameless) who can vouch for the fact that this first story is loosely based on actual events. For the sake of comedy I have of course embellished, but not the part about the trip to the E.R. after the incident. Or the residual fear of misdirected cocktail straws.


I had this idea for a series of short stories staring a central character that focused on her dating adventures (uh… misadventures). The concept was that each story would build on the previous story so that if all four are read in sequence there’s a longer narrative arc.smothered-and-covered


Humor is tricky. As my editor, Cindy says, humor in fiction is an odd mix of character, dialogue, action, and strong setup. It all has to be in the right amount at the right time.


That’s so true. The setup is everything. And subtle, detailed threads that repeat themselves and refer back to previous actions can make the setup even stronger.


I’ve had some practice being funny as my alter ego writing Jane’s World. Jane has endured a lot of silliness over the years just so I could rehearse.


Comedy is all about ending up where you don’t expect to end up. Like a train jumping a track. Usually, when I’m trying to set up a gag I imagine the obvious consequences taking a particular action would create and then I try to avoid that obvious path at all costs. It’s the unexpected consequences that end up being the funniest. Case in point, from Jane’s World, a fledging lesbian is nearly smothered by her busty date during a make out session. CPR is required. The newbie lesbian ends up developing a breast phobia as a result of this traumatic, yet sexy encounter.


A lesbian with a boob phobia… now that’s funny. (Or maybe sad, a lot of humor originates in sadness, but that’s for another blog.)


one-more-reason-to-leave-orlandoThis short story series is set in Orlando, where my misspent twenties took place. I pitched this concept more than a year ago, long before the shooting at Pulse. After the shooting I considered changing the location because all of these stories have an element of humor, but in the end I decided to leave them as they were. I decided to celebrate Orlando and the vibrant LGBT community that resides there. Maybe this is the best time to celebrate Orlando, with humor and love.







twitter: @MissouriVaun   privacy-glass

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